1900 – THE ENCHANTED DRAWING – s.blackton – usa – 16 e S8/B&W/M – 1′ (1’20”) ppc
1903 – BUSTER BROWN JOKE ON PAPA – e.s.porter – usa – 16/B&W/M – 2′ (2’40”) ppc: dal “fumetto”
1904 – ANIMATED PAINTING – pr. edison – usa – 16/B&W/M – 3′ (4′) ppc
1905 ? – L’HOTEL ENCHANTÉ – pr. pathé – fra – S8/B&W/M – 2’40” (3’3″)
1905 – THE NIGHT BEFORE CHRISTMAS – e.s.porter – usa – 16/B&W/M – 9′ (12′)
1906 – NURSE WANTED – AM&B – usa – 16/B&W/M – 9′ (11′) ppc “fumetti”
1906 – LE THEATRE DE BOB – g.velle (& segundo de chomon?)- fra -16/B&W/M/ ED.LATINA – 6′ (9′)
1906 – HUMOROUS PHASES OF FUNNY FACES – s.blackton – usa – 16/B&W/M, sta con
1907 – LIGHTNING SKETCHES – s.blackton – usa – 16/B&W/M – 4’50” (7′) selezione
1907 – THE HOUNTED HOTEL – s.blackton – usa – 16 e S8/B&W/M – 5′ (6’30”) selezione
1907 – THE “TEDDY” BEARS – e.s.porter – usa – 16/B&W/M – 11′ (16′)
1908 – FANTASMAGORIE – e.cohl – fra – 16 e S8/B&W/M – 1’20” (1’50”)
1908 – LA MAISON ENSORCELÉE – s.de chomon – fra – S8/B&W/M – 3’20” (4’10”)
1908 – ELECTRIC HOTEL – s.de chomon – fra – 16/B&W/M – 9′
1908 – CHIFFONIERS ET CARICATURISTES – s.de chomon – fra – S8/B&W/M – 5′ (7′) (the ragpicker caricaturist)
1908 – UN DRAME CHEZ LES FANTOCHES – e.cohl – fra – 16/B&W/M – 2′ (2’50”)
1909 – SCULPTEUR MODERN – s.de chomon – fra – 16/C/M – 5′ (7′) pochoir
1909 – LE THEATRE ELECTRIQUE DE BOB – s.de chomon – fra – S8/C/M/ – 6′ (9′) pochoir
1909 – YOYEUX MICROBES – e.cohl – fra – 16/B&N/M – 3’50” (4’50”)
1909 – CLAIR DE LUNE ESPAGNOL – e.cohl – fra – 16 e S8/B&W/M/ED.INGH. – 4′ (5′)
1909 – LE RATELIER – ? – fra – 16 e S8/B&W/M/ED.INGH. – 3′ (4)
191? – L’HORLOGE ET LA VIE – ? – ? – 16/B&W/M – 2’30” (3’30”)
1910 – L’äPäE DU SPIRITE – s.de chomon – fra – 16/B&W/M/ED LAT. (nicolas el tonto) – 6′ (9′)
1910 – SONGE DU GAR«ON DE CAFE – e.cohl – fra – 16 + S8/B&W/M/ED.INGH.- 2’30″(3′)
1910 – LE PEINTRE NEO-IMPRESSIONISTE – e.cohl – fra – 16/B&W/M – 5′ (7′)
1910 – LE TOUT PETIT FAUST – e.cohl – fra – 16/B&W/M – 5′ (6’30”)
1910 – LE BINETTOSCOPE – e.cohl – fra – 16/B&W/M – 4′ (5′)
1910 – LES BEAUX ARTS MYSTERIEUX – e.cohl – fra – 16/B&W/M – 4′ (5′)
1911 – LITTLE NEMO – w.mccay – usa – 16/B&W/M – TR – 5′ (6’30”)
1911 – LE RETAPEUR DE CERVELLES – e.cohl – fra – 16/B&W/M – 3′ (4′)
1911 – STREKOZAI I MOURAVIEI – l.starewicz – urss – 16/B&W/M/ED.ING. – 5′ (6’30”)
1912 – HOW A MOSQUITO OPERATES – w.mccay – usa – 16/B&W/M – 5′ (6’30”)
1912 – MEST’KINEMATOGRAFICESCOGO OPERATORA – l.starevich – urss – 16/B&W/M – 9′ (12′)
1912 – LE GARDE-MEUBLE AUTOMATIQUE – r.bosetti – fra – 16 e S8/B&W/MED.INGH. – 3′ (4′)
1912 – LE CIRCUIT DE L’ALCOOL – o’galop – fra – 16/B&W/M – 2′ (2’50”)
1913 – BEWITCHED MATCHESS – e.cohl – usa – 16 e S8/B&W/M – 4’30” (6′)
1914 – GERTIE (THE DINOSAUR) – w.mccay – usa – 16 e S8/B&W/M – TR – 8’40” (11′)
1914 – GERTIE THE DINOSAUR – j.r.bray – usa – 16/B&W/M – 10′ (13′) remake-plagio (?) d’epoca del film di mccay
1915 – THE TANTALIZING FLY – d.fleischer – usa – 16/B&W/M – 3’35” (4′) koko
1915 – CARTOONS ON THE BEACH – r.barrÀ – usa – 16/B&W/M – 10′ (13′)
1915 – COL.HEEZA LIAR AT THE BAT – j.r. bray – usa – 16/B&W/M – 6′ (8′)
1915 – CHARLIE (ON THE WIND-MILL?) – s.j.sangretti – usa -16 + S8/B&W/M – 1’20” frammento
1915/16 – DOING HIS BIT – w.lanz – usa – 16/B&W/M – 3′ (4′) da happy logan
1916 – BOBBY BUMPS GOATMOBILE – j.r.bray – usa – S8/B&W/M –
1916 – GERTIE ON TOUR – w.mccay – usa – 16 + S8/B&W/M – 1′ frammento sta con
1917 – THE CENTAURS – w.mccay – usa – 16 + S8/B&W/M – 4′ (5′) frammento
1916 – THE DINOSAUER AND THE MISSING LINK – w.o’bryen – 16/B&W/M – 5’10 (8′)
1917 – RFD 10.000 BC – w.o’bryen – usa – 16/B&W/M – 9′ 20″ (13′)
1917 – PREHISTORIC POULTRY – w.o’bryen – usa – 16/B&W/M – 4′ (5’30”)
1917 – FARMER ALFALFA’S WAYWARD PUP – p.terry – usa – S8/B&W/M – 5′ (6’30”)
1917 – PROFESSOR BONHEAD IS SHIPPWRECKED – h.palmer – usa – 16 e S8/B&W/M – 2’30″(3′)
1917 – DOWN WHERE THE LIMBURGER BLOWS – g.la cava – usa – 16/B&W/M – 6’04” (9′) da the katzenjammer kids
1917 – THE MAGIC PIG – h.moss – usa – 16/C/ M – 7’05” (9′)
1918 – THE SINKING OF THE LUSITANIA – w.mccay – usa – 16/B&W/M – TR – 8′ (11′)
1918 – A.W.O.L. – c.bowers – usa – 16/B&W/M – 5’31” (6’40”)
1918 – THROWING THE BULL – pr.fox – usa – 16/B&W/M – 2’47” (4′) mutt&jeff
1918 – BOBBY BUMPS PUTS A BEANERY ON THE BUM – e.hurd – usa – 16/B&W/M – 4’40” (6′)
1916/19 (?) – BUM VICTORY (?) – ? – usa – 16/B&W/M – 1’25” (2′) da jerry on the job
1919 – DUD THE CIRCUS PERFORMER – w.a.carlson – usa – 16/B&W/M – 2’47” (4′)
1919 – INDOR SPORTS – w.nolan – usa – S8/B&W/M – 5′ (6’30”)
192? – HEY DIDDLE DIDDLE – ? – usa – S8/B&W/M – 3′ 50″ (5′)
1920 – CAPTEIN GROGG: BLAND ANDRA KONSTIGA KROPPA – v.bergdhar – sv – 16/B&N/M – 5′ (6’30”)
1920 – THE GREAT CHEESE ROBBERY – v.stallings – usa – 16/B&W/M – 3’30” (4’30”) da krazy cat
1920 – CHINESE HONEYMOON – v.stallings – usa – 16/B&W/M – 2’46” (4′) da krazy cat
1920 – (KOKO AND) THE CHINAMAN – m.fleischer – usa – 16/B&W/M – 5′ 45″ (8’30”) koko
1921 – NEWMAN LAUGH-O-GRAMS – w.disney – usa -16/B&W/M – 2’30” (3’20) (2 copie)
1918/21 – BIG VAUDEVILLE – r.e w. mccay – usa – 16/B&W/M – 12′ (16′)
1918/21 – THE PET – w.mccay – usa – 16/B&W/M – 11′ (14’30”)
1918/21 – THE FLYING HOUSE – r.e w.mccay – usa – 16/B&W/M – TR – 11’30” (14′)
1921 – THE AWFULL SPOOK – v.stallings – usa – 16/B&W/M – 2’45” (4′) da krazy cat
1921 – THE CAT AND THE MONKEY – p.terry – S8/B&W/M – 2′ 40″ (3’20”)
1921 – MODELLING – m.fleischer – usa – 16/B&W/M – 7′ (9’30”) koko
1922 – FOUR MUSICIANS OF BREMEN – w.disney – usa – S8/B&W/M – 7’30” (10′) log
1922 – LAURING EYES – j.r.bray – usa – S8/B&W/M – 2’40” (3’30”)
1922 – LES GRENOUILLES QUI DEMANDENT UN ROI – l.starewitch – fra – 16/B&W/M/ED.INGH. – 5′ 34″ (7′)
1923 – PUZZLE – m.fleischer – usa – 16/B&W/MS – 7’47” koko
1923 – THE EISENSTEIN THEORY OF RELATIVITY – (m.fleischer) – usa – 16/B&W/M – 20’30” (26′) (ed.ridotta)
1923 – EVOLUTION – (m. e d.fleischer) – usa – 16/C/M – 44′ (58′) imbibizione
1923 – PUSS’IN’ BOOTS – w.disney – usa – 16/B&W/MS – 12′ (16′) log
1923 – THE FORTUNE TELLER – d.fleischer – usa – 16/C/MS – 5′ koko viraggio
1923 – THE ORIGINAL MOVIE – t.sarg – usa – 16/B&W/MS – 7’40 ” (9’30”)
1923 – WHY THEY LOVE CAVEMEN – t.sarg – usa – 16/C/MS – 6′ (8′) imbibizione
1923 – FELIX IN HOLLYWOOD – o.messmer – usa – 16/B&W/M – 7’20″(11′)
1923 – AMOUR NOIR,AMOUR BLANCHE – l.starevicz – fra – S8/B&W/M – 5’30” (7′)
1923 – LE CHANT DU ROSSIGNOL – l.starevicz – fra – 16/C/M – 10’20” (13’40”) prizmacolor
1924 (8) – ALICE THE PACEMAKER – w.disney – usa – 16/B&W/M – 7’43” (10’30”)
1924 (11) – ALICE GETS IN DEUTCH – w.disney – usa – 16/B&W/M – 8’20” (12′)
1924 – ANIMATED HAIR CARTOON N.1 – s.marcus – usa – S8/B&W/M – 3′
1924 – FELIX ALL PUZZLED – o.messmer – usa – 16/B&W/MS – 2’30” ^^^
1924 – BONZO – g.e.studdy – gb – S8/B&W/M – 8′ (10′)
1925 – CHRISTMAS SEAL – ? – usa – S8/B&W/M – 1’50” (2’30”)
1925 – LEOPARD SPOTS – w.lanz – usa – 16/B&W/MS – 8′ 54″ (12′)
1925 (1) – ALICE CANN’S THE CANNIBALS – w.disney – usa – S8/B&W/M – 6′ (8′)
1925 (1) – ALICE THE TOREADOR – w.disney – usa – 16/B&W/M – 8′ (11′)
1925 (3) – ALICE GETS STUNG – w.disney – usa – 16/B&W/M – 7′ 18″ (10′)
1925 (9) – ALICE THE JAILBIRD – w.disney – usa – 16/B&W/MS – 8’14”
1925 (9) – ALICE CHOPS THE SUEY – w.disney – usa – 16/B&W/SO/MS – 7’16”
1925 (12) – ALICE ON THE FARM – w.disney – usa – 16/B&W/MS – 10’12”
1925 – CARTOONS FACTORY – d.fleischer – usa – 16/B&W/SO – 8’15” deforrest phonofilm koko
1925 – ANDY’S LION TALE – f.cordy – usa – 16/B&W/MS – 16′ live dai fumetti The Gumps
1923/26 – DIE ABENTEUER DES PRINZEN ACHMED – l.reiniger (con b.bartosh e w.ruttmann) – ger/gb – 16/C/SO/MS – 66′
1924/26 – HAS ANIBODY HERE SEEN KELLY (1926) + TAKE A TRIP IN MY AIRSHIP (KOKO,
1924 – fleischer & deforrest phonofilm- usa – S8/B&W/SM – 5′ frammenti
1926 – TRAMPTRAMP TRAMP – d.fleischer – usa – 16/B&W/SO – 6′ deforrest phonofilm koko
1926 – SEELISCHE KONSTRUKTIONEN – o.fischinger – ger – 16/B&W/MS – 7′
1926 – SLICK SLEUTHS – b.fisher – usa – 16/C/MS – 7’33” mutt & jeff kromocolor
1927 – HODGE PODGE: A CUSTER OF KINGS – r.e.gillsum – usa – 16/C/M – 7’52” (10′)
1927 – ALICE THE WHEALER – w.disney – usa – 16/B&W/MS/SO – 5′ 15″
1927 (9) – GREAT GUNS – iwerks – usa – 16/B&W/MS/SO – 7′ osw
1927 (9) – THE MECANICAL CAW – iwrks – usa – S8/B&W/M – 6′ (8′) osw
1927 (11) – THE OCEAN HOP – w.disney – usa – 16/B&W/MS/SO – 6’12” osw
1927 – KOKO’S EARTH CONTROL – d.fleischer – usa – 16/B&W/M – 6’15” (8’30”) koko
1927 – KOKO THE KOP – d.fleischer – usa – 16/B&W/M – 6′ (8′) koko
1928 – KOKO’S HAUNTED HOUSE – d.fleischer – usa – 16/B&W/M – 5’45” (7’30”) koko
1928 (11) – STEAMBOATH WILLIE – iwerks/disney – usa – 16/B&W/SO e S8/B&W/SM – 7′ m.m.
1928 (5/11) – PLANE CRAZY – iwerrks/disney – usa – 16/B&W/SO – 6′ m.m.
1928? – THE BURRIED TRESAURE – ? – usa – 16/B&W/M – 6’21” (8′ 15″)
1928 – SICK CYLINDERS – h.harman – usa – 6/B&W/MS – 6′ osw/wink
1929 – TUSALAVA – l.lye – gb – 16/B&W/M da SO – 6’50”
1929 – WEARY WILLIES – w.lantz – usa – 16/B&W/MS – 6’44” osw/wink/univ
1929 – THE SKELETON DANCE – iwerks/clark – usa – 16/B&W/SO – 5’34” s.s.
1929 – MICKEY’S CHOO-CHOO – iwerks/disney – usa – 16/B&W/SO – 7′
1929 – CHINATOWN MY CHINATOWN – d.fleischer – usa – 16/B&W/SO – 5’55”
1929 – NOAH’S LARK – d.fleischer – usa – 167B&W/SO – 7’45”
1929 – FINDING HIS VOICE – goldman/fleischer – usa – 16/B&W/SO – 9′
193? – CITY MOUSE VISITS COUNTRY MOUSE (tit.ingh.) – f.diehl? – ger? – 16/B&W/M – 12′
1930 – IT’S A BIRD! – c.bowers – usa – 16/B&W/SO – 15’37”
1930 – DIZZY DISHES – d.fleischer – usa – 16/B&W/SO – 6’15” Iƒ b.b.
1930 – COME TAKE A SHIP ON MY AIRSHIP – d.fleischer – usa – 16/B&W/SO – 6’30”
1930 – SUMMER – iwerks – usa – 16/B&W/SO – 6′ s.s.
1930 – AUTUMN – iwerks – usa – 16/B&W/SO – 6′ s.s.
1930 – MINNIE’S YOO HOO – wdp – usa – 16/B&W/SO – 4’39”
1931 – TREE SAPS – d.fleischer – usa – 16/B&W/SO – 7’30” bimbo
1931 – CREATION – w.o’brien&m.delgado – usa – 16/B&W/M – 5’47”
1931 – THE BIRTHDAY PARTY – b.gillett – usa – 16/B&W/SO – 4’50” m.m.
1931 – THE CASTAWAY – w.jackson – usa – 16/B&W/SO – 4’50” m.m.
1931 – EGYPTIAN MELODIES – w.jackson – usa – 16/B&W/SO – 6’30” s.s.
1931 – MICKEY’S ORPHANS – b.gillett – usa – 16/B&W/SO – 5′ m.m.
1931 – IN A CARTOON STUDIO – van beuren – usa – 16/B&W/SO – 9′
1931 – DIZZY RED RIDING HOOD – d.fleischer – usa – S8/B&W/SM – 6’20” b.b.
1931 – BIMBO’S INITIATION – d.fleicher – usa – 16/B&W/SO – 6’29” b.b.
1932 – THE KLONDIKE KID – w.jackson – usa – 16/B&W/SO – 5′ m.m. deposito
1932 – FLOWERS AND THREES – b.gillett – usa – 16/C/SO – 7′ s.s.
1932 – SANTAS WORKSHOP – w.jackson – usa – S8/C/SM – 7’11” s.s.
1932 – SPOOKS – u.iwerks – usa – 16/C/SO – 8’30” f.l.
1932 – BETTY BOOP M.D. – d.fleischer – usa – 16/B&W/SO – 7’42” b.b.
1932 – WHEN IT’S SLEEPY TIME DOWN SOUTH – d.fleischer – usa – 16/B&W/SO – 8’56”
1932 – MINNIE THE MOOCHER – d.fleischer – usa – 16/B&W/SO – 7’57” b.b.
1933 – KREISE – o.fischinger – ger – 16/C/SO – 1’40”
1933 – JACK AND THE BEANSTALK – u.iwerks – usa – 16/C/SO – 8’20”
1933 – BETTY BOOP’S HALLOWEEN PARTY – d.fleischer – usa – 16/B&W/SO – 6’17” b.b.
1933 – POPEYE THE SAILOR – d.fleischer – usa – S8/B&W/SM – 7’51” bb/pop
1933 – I YAM WHAT I YAM – d.fleischer – usa – 16/B&W/SO – 6’9″ pop
1933 – BLOW ME DOWN – d.fleischer – usa – 16/B&W/SO – 6’23” pop
1933 – SNOW WHITE – d.fleischer – usa – 16/B&W/SO – 10′ b.b.
1933 – THE PEANUT VENDOR – l.lye – gb – 16/B&W/SO – 2′
1933 – L’IDäE – b.bartosh – fra – 16/B&W/SO – 27′
1933 – UNE NUIT SUR LE MONT CHAUVE – alexejeff&parker – fra – 16/B&W/SO – 7′
1933 – FETICHE MASCOTTE – l.starewicz – fra – 16/B&W/SO/ED.INGH. – 26′ 22″
1933 – THE STEAPLECHASE – b.gillett – usa – 16/B&W/SO – 5′ m.m.
1933 – MICKEY’S GALA PREMIERE – b.gillett – usa – 16/B&W/SO – 4’40” m.m.
1933 – THREE LITTLE PIGS – b.gillet – usa – S8/C/SM – 9’18” s.s.
1934 – LET’S SINGALONG WITH POPEYE – d.fleische – usa – 16/B&W/SO – 2’10” pop
1934 – A DREAM WALKING – d.fleischer – usa – 16/B&W/SO – 7’23” pop
1934 – BETTY BOOP’S RISE TO FAME – d.fleischer – usa -16/B&W/SO – 8’48” b.b.
1934 – POOR CINDERELLA – d.fleischer – usa – 16/B&W da C/SO – 10’39” b.b.
1934 – CAMPING OUT – d.hand – usa – 16/B&W/SO – 5′ m.m.
1934 – GULLIVER MICKEY – b.gillett – usa – 16/B&W/SO – 5′ m.m.
1934 – WHISE LITTLE HEN – w.jackson – usa – 16/C/SO – 7’45” s.s.
1934 – TOYLAND PREMIERE – w.lantz – usa – 16/C/SO – 9′ 1934 – LITTLE DEUTCH MILL – d.fleischer – usa – 16/C/SO – 10′
1934 – THE HEADLESS HORSEMAN – u.iwerks – usa – 16/C/SO – 8′ 43″
1934 – FETICHE NAVIGATEUR – l.starevich – fra – 16/B&W/SO – 10′
1935 – GALATHEA – l.reiniger – ger – 16/B&W/SO – 11’30”
1935 – PAPAGENO – l.reiniger – ger – 16/B&W/SO – 11’11”
1935 – THE BAND CONCERT – w.jackson – usa – S8 e 16/C/SM – 10′ m.m.
1935 – MUSICLAND – w.jackson – usa – S8/C/SM – 8′ s.s.
1935 – MICKEY’S SERVICE STATION – b.sharpsteen – 16/B&W/SO – 6′ m.m.
1935 – COCK O’ THE WALK – b.sharpesteen – usa – 16/C/SO – 8’30” s.s.
1935 – BROKEN TOYS – b.sharpsteen – usa – 16/C/SO – 8′ s.s.
1935 – WHO KILLED COCK ROBIN? – d.hand – usa – S8/C/SM – 8’44” s.s.
1935 – THREE ORPHAN KITTENS – d.hand – usa – S8/C/SM – 9’10” s.s.
1935 – RHYTM IN LIGHT – m.e.bute – usa – 16/B&W/SO – 4’3O”
1935 – COLOR BOX – l.lye – gb – 16/C/SO – 5′
1935 – KOMPOSITION IN BLAU – o.fischinger – ger – 16/C/SO – 4’3O”
1935 – LA BELLE AU BOIS DORMANT – alexeieff&aurench – fra – 16/C/SO – 6′
1935 – MUSICAL MEMORIES – d.fleischer – usa – 16/C/SO – 7’20”
1935 – BEWARE BARNACLE BILL – d.fleischer – usa – 16/B&W/SO – 6’40” pop
1936 – ALLEGRETTO – o.fischinger – ger/usa – 16/C/SO – 4′
1936 – COO COO NUT GROVE – i.freleng – usa – 16/C/SO – 6’52”
1936 – THRU THE MIRROR – d.hand – usa – S8/C/SM – 9’22” m.m.
1936 – MOVING DAY – b.sharpsteen – usa – S8/C/SM/ED.ITA.- 8′ m.m.
1936 – MUSIC IN YOUR SOUP – out-take SNOW WHITE – disney – usa – 16/B&W/SO 4’15” + S8/B&W/SM 11’25”
1936 – (PAGE) MISS GLORY – f.(t.) avery – usa – 16/C/SO – 7’50” wb
1937 – TRADE TATOO – l.lye – gb – 16/C/SO – 6′
1937 – CLEAN PASTURE – i.freleng – usa – 16/C/SO – 8’20”
1937 – HORSE ON THE MERRY GO ROUND – u.iwerks – 16/C/SO – 6’40”
1937 – PORKY’S RAILROAD – f.tashlin – usa – S8/C/SM – 7′ wb
1937 – PORKY’S ROAD RACE – f.tashlin – usa – 16/B&W/SO – 7’08” wb
1937 – CASE OF THE STRUTTERING PIG – f.tashlin – 16/B&W/SO – 7’42” wb
1937 – CLOCK CLEANERS – b.sharpsteen – usa – S8/C/SM – 6’3O” m.m
1937 – THE LITTLE HIAWATHA – d.hand – usa – S8/C/SM – 7’12” s.s.
1937 – THE OLD MILL – w.jackson – usa – S8 e 16/C/SM – 8’37” s.s.
1937 – RKO-PATHE NEWS (sulla lavorazione di SNOWHITE) – usa – S8/B&W/SM – 4′
1937 – SNOWHITE AND THE SEVEN DWARF – w.disney – S8/C/SM/ED.ITA + 16/C/SO – estratto
1937 – POPEYE THE SAILOR METS SIMBAD THE SAILOR – d.fleischer – usa – S8/C/SM – 15′ pop
1937 – HOLLYWOOD PICNIC – c.mintz – usa – 16/C/SO – 8′
1938 – MOTHER GOOSE GOES TO HOLLYWOOD – w.jackson – usa – S8/C/SM – 7′ s.s.
1938 – DAFFY DUCK IN HOLLYWOOD – t.avery – usa – 16/C/SO – 8’10” wb
1938 – PORKY IN WACKYLAND – b.clampett – usa – 16/B&W/SO – 7’05” wb
1938 – DAFFY DOC – b.clampett – usa – 16/B&W/SO – 7’06” wb
1938 – WHAT PRICE PORKY? – b.clampett – usa – 16/B&W/SO – 7’20” wb
1938 – A STAR IS HATCHED – i.freleng – usa – 16/C/SO – 8’11” wb
1938 – FROG POND – u.iwekers – usa – 16/C/SO – 7’30”
1938 – PHILIPS BROADCAST – g.pal – usa – S8/C/SM – 5′ 20″
1938 – NEPTUN’S NONSENSE – van bauren – usa – 16/B&W da C/SO – 5′ estratto ^^^
1938 – GOONLAND – d.fleischer – usa – 16/B&W/SO – 7’56” pop
1939 – SWINGING THE LAMBETH WALK – l.lye – gb – 16/C/SO – 4′
1939 – THE UGLY DUCHING – j.cutting – usa – S8/C/SM – 7′ s.s.
1939 – THE AUTOGRAPH HOUND – j.king – usa -16 e S8/C/SM – 8’52” d.d.
1939 – SCALP TROUBLE – b.clampett – usa – 16/B&W/SO – 6’50” wb
1939 – GULLIVER’S TRAVELS – d.fleischer – usa – 16/C/SO – 80′
1940 – PHILLIPS CAVALCADE – g.pal – usa – 16/C/SO – 5’47”
1940 – FANTASIA – w.disney – usa – S8/C/SM + 16/C/SO – estratto
1940 – WILD OYSTERS – c.bowers – usa – 16/B&W/SO – 10’44”
1940 – FEMALE IS FLICKLE – d.fleischer – usa – 16/B&W/SO – 5′ pop
1940 – KING FOR A DAY – d.fleischer – usa – 16/C/SO – 7’10”
1940 – YOU OUGHT TO BE IN PICTURES – f.freleng – usa – 16/B&W/SO – 9’50” wb
1940 – PUSS GETS THE BOOT – hanna&barbera – usa – S8/C/SM – 9’24” tj
1940 – MUSICAL POSTER N.1 – l.lye – gb – 16/C/SO – 3′
1941 – MAX UND MORITZ – hermann&dielh – ger – S8/B&W/M – 9′ da w.bush
1941 – 7 WISE DWARF – beede&lyford – usa – S8/C/SM – 3’30” wdp/war
1941 – AN AMERICAN MARCH – o.fischinger – usa – 16/C/SO – 3′
1941 – SUPERMAN – d.fleischer – usa – 16/C/SO – 9′ 40″ superman
1941 – HOPPITY GOES TO TOWN – d.fleischer – usa – S8/C/SM – 78′
1941 – BILLION DOLLARS LDT – d.fleischer – usa – S8/B&W da C/SM – 8′ superman
1941 – HOLLYWOOD STEP-OUT – t.avery – usa – 16/C/SO – 8′ wb
1941 – AVIATION VACATION – t.avery – usa – 16/C/SO – 7’43” wb
1941 – THE NIGHT BEFORE CHRISTMAS – hanna&barbera – usa – S8/C/SM – 9’20” tj
1942 – LAMBETH WALK NAZY STYLE – j.ellit – gb – 16/B&W/SO – 2′
1942 – JASPER AND THE WATERMELON – g.pal – usa – 16/C/SO – 7′ 42″
1942 – MR.STRAUSS TAKES A WALK – g.pal – usa – 16/C/SO – 8’11”
1942 – OUT OF THE FRYING PAN INTO THE FIRING LINE – j.king – usa – 16/C/SO – 3’40” wdp/war
1942 – DUCKTATORS – n.mc cabe – usa – 16/B&W/SO – 7’04” wb/war
1942 – BAMBI – w.disney – usa – 16/C/SO – estratto
1943 – THE SPIRIT OF ’43 – j.king – usa – 16/C/SO – 5’40” wdp/war
1943 – DER FUEHRER’S FACE – j.kinney – usa – 16/C/SO – 8′ wdp/war
1943 – STRICHT-PUNKT-BALLET – e.seggelke – ger – 16/C/SM – 3′
1943 – PLUTO AND THE ARMADILLO – c.geronimi – usa – S8/C/SM/ED.ITA – 7’20” m.m.
1943 – L’EPOUVANTAIL – p.grimault – fra – 16/C/SO/ED.INGH. – 1O’
1943 – RED HOT RIDING HOOD – t.avery – usa – S8/C/SM/ED.ITA. – 6′ mgm
1943 – CORNY CONCERTO – b.clampett- usa – S8/C/SM – 8′ wb
1943 – SALUDOS AMIGOS – w.disney – usa – S8/C/SM/ED.ITA. – estratto
1943 – TOKIO JOKIO – n.mc cabe – usa – 16/B&W/SO – 7′ 04″ wb/war
1943/45 – PRIVATE SNAFU: A LECTURE ON CAMOUFLAGE – c.jones + BOBBY TRAPS -b.clampett – usa – 16/B&W/SO – 4′ + 4′ wb/war
1944 – MOUSE TRUOBLE – hanna&barbera – usa – ST8/C/SM/ED.ITA. – 6′ t&j
1944 – HELL-BENT FOR ELECTION – c.jones – usa – 16/C/SO – 13′ 20″
1945 – THE LITTLE BROADCAST – g.pal – usa – S8/C/SM – 7′
1946 – LA FLUTE MAGIQUE – p.grimault – fra – 16/C/SO/ED.INGH. – 8’3O”
1946 – MAKE MINE MUSIC – wdp – usa – S8/C/SM/ED.ITA. – estratto
1946 – PETE AND THE WOLF – c.geronimi – usa – S8/C/SM – 18′ episodio staccato di Make Mine Music
1947 – CLOWN OF THE JUNGLE – j.hannah – usa – S8/C/SM/ED.ITA. – 6’3O” d.d.
1947 – KINGSIZE CANARY – t.avery – usa – S8/C/SM – 8′ 10″
1947 – IT’S A GRAND OLD NAG – b.clampett – usa – 16/C/SO – 8’09” trucolor
1948 – THE CAT THAT HATED PEOPLE – t.avery – 16/C/SO – 6’50”
1949 – RAGTIME BEAR – j.hubley – usa – 16/C/SO – 7’31” upa
1949 – BAD LUCK BLAKIE – t.avery – usa – 16/C/SO – 7′ 10″
1949 – BEGONE DULL CARE -n.mclaren – can – S8/C/SM – 8′
1950 – THE CHUMP CHAMP – t.avery – usa – S8/C/SM/ED.ITA – 6′ droopy
1950 – JERRY AND THE LYON – hanna&barbera – usa – S8/C/SM/ED.ITA – 6′ t&j
1950 – SAFETY SECONDS – hanna&barbera – usa – S8/C/SM/ED.ITA – 6′ t&j
1950 – CINDERELLA – w.disney – usa – 16/C/SO – estratto
1951 – DAREVIL DROOPY – t.avery – usa – S8/C/SM/ED.ITA.- 6′ droopy
1951 – A LA POINTE DE LA PLUME – peters&batchelors – can – 16/B&W/SO/ED.FRA- 5′
1951 – JERRY AND THE GOLDFISH – hanna&barbera – usa – ST8/C/SM/ED.ITA.- 6′ t&j
1951 – CASANOVA CAT – hanna&barbera – usa – S8/C/SM – 7′ t&j
1951 – trailer ALICE IN WONDERLAND – wdp – usa – 16/C/SO – 1′
1952 – THE TWO MOUSEKETEERS – hanna&barbera – usa – S8/C/SM – 7′ t&j
1952 – PLUTO CHRISTMAS TREE – j.hannah – usa – S8/C/SM/ED.ITA. – 6′ pluto
1952 – PETER PAN – w.disney – usa – S8/C/SM/ED.ITA. – estratto
1952 – FROSTY THE SNOWMAN – ? – usa – 16/B&W/SO – 2’40” upa
1952 – TWO BAGATELLES – n.mclaren – can – S8/C/SM – 2’22”
1953 – TELL TALE HEART – t.parmelee – usa – 16/C/SO – 7′ 52″ upa
1953 – COLOR CRY – l.lye – gb – 16/C/SO – 4′
1953 – TOOT,WHISTLE,PLUNK AND BOOM – kimball&nichols – usa – S8/C/SM/N da SC/ED.ITA e S8/C/SC/SM/ST – 10’36”
1954 – ABSTRONIC – m.e.bute – usa – 16/C/SO – 6′
1954 – ANIMAL FARM – halas&batchelor – gb – 16/C/SO – 74′
1954 – DOWN ALONG WAY – b.privett – gb – 16/C/SO/ED.ITA – 17’40”
1955 – BEEZY BEAR – wdp/j.hannah – usa – 16/C/SC/SO – 7’17” d.d.
1955 – BLINKITY BLANK – n.mclaren – can – 16/C/SO – 5′ 1957 – A CHAIRY TALE – n.mclaren – can – S8/B&W/SM – 8′
1958 – SLEEPING BEAUTY – w.disney – usa – S8/C/SM/SC/ED.ITA. – estratto
1958 – LE MERLE – n.mclaren – can – 16/C/SO – 5′
1958 – TAPUM LA STORIA DELLE ARMI – b.bozzetto – ita – 16/C/SO – 12′
196? – DAGNABI RABBIT – terrytoonstv – usa – S8/C/SM – 6′
1960 – UN OSCAR PER IL SIGNOR ROSSI – b.bozzetto – ita – 16/C/SO – 1O’
196O – A CERUZA ES A RADIR – mackassy&varnay – hun – S8/C/SM – 7′
1960 – SANGRENSKA KOZA – kristal&urbanic – ju – 16/C/SO – 1O’
1961 – ALPHA OMEGA – b.bozzetto – ita – 16/C/SO – 8′
1961 – DO IT YOURSELF A CARTOONS KIT – b.godfrey – gb – 16/C/SO – 5’3O”
1961 – 101 DALMATIANS – w.disney – usa – S8/C/SM/ED.ITA – selezione
1962 – ROMANCE – b.pojar – cs – 16/C/SO – 12′
1963 – THE CRITIC – e.pintoff – usa – 16/C/SO – 3′ 30″
1963 – LE NEZ – alexejeff&parker – fra – 16/B&W/SO – 9′
1963 – IL SIG.ROSSI VA A SCIARE – b.bozzetto – ita – 16/C/SO – 9′
1963 – I DUE CASTELLI – b.bozzetto – ita – 16/B&W/SO – 4′
1964 – CLAY: THE ORIGIN OF THE SPECIES – e.noyes – usa – 16/B&W/SO – 8’3O”
1964 – “A” – j.lenica – pol – 16/B&W/SO – 10′ 18″
1964 – AUTOKOR – i.reber – hun – S8/C/SM/ED.ITA. – 7′
1964 – LA GAZZA LADRA – gianini&luzzati – ita – S8/C/SM – 12′
1964 – MUCH ADO ABOUT MUSING – c.jones – usa – S8/C/SM/ED.ITA.- 7′ t&j
1964 – IL SIG.ROSSI AL MARE – b.bozzetto – ita – 16/C/SO – 12′
1965 – ZID – zanorivicz – ju – S8/C/SM – 4′
1965 – STRIPTEZ – n.dragic – ju – 16/B&W/SO – 1′
1965 – WEST AND SODA – b.bozzetto – ita – S8/C/SM e 16/C/SO – 84′
1966 – AU FOU – j.kuri – jap/fra – 16/C/SO – 9’3O”
1966 – NOTES SUR UN TRIANGLE – r.jodoin – can – 16/C/SO – 4’40”
1966 – LES ANIMAUX EN MARCHE – r.tunis – can – 16/C/SO – 9′
1966 – IL SIGNOR ROSSI COMPRA L’AUTOMOBILE – b.bozzetto – ita – 16/C/SO – 12′
1966 – KROTITELI DIULJIH KONIA – n.dragic – ju – 16/C/SO – 8′
1967- OCCHIO ALL’ETICHETTA – ceccchinato/gavioli – ita – 16/C/SO – 13′
1967 – OC OPERC GYICKOSSAY – j.nepp – hun – 16/C/SO/ED.INGH. – 7′
1967 – UNA VITA IN SCATOLA – b.bozzetto – ita – 16/C/SO – 6′
1967 – PURR-CHANCE-DREAM – wasnam – usa – ST8/C/SM/ED.ITA. – 7′ t&j
1968 – EGO – b.bozzetto – ita – 16/C/SO – 12′
1968 – A NAP ES OLD ELSABLASA – s.reisembucler – hun – 16/C/SO – 12′
1968 – L’ITALIANA IN ALGERI -gianini&luzzati – ita – S8/C/SM – 12′
1968 – CHRISTMAS BIRDS – ? – usa – S8/C/SM – 1′
1968 – VIP, IL MIO FRATELLO SUPERUOMO – b.bozzetto – ita – 16/C/SO – 90′ reddish
1968 – FILM FILM FILM – f.khitruk – urss – 16/C/SO/ED.ITA – 19’30”
1968 – promo: YELLOW SUBMARINE – gb – 16/C/SO – 7’40”
1969 – PULSE – spoeker – usa – 16/B&W/SO – 9’30” stampa a rovescio
1969 – BAMBI US GODZILLA – m.rewland – usa – 16/B&W/SO – 1’40”
1969/70 – ZAGREB MINIBITS – ju – 16/B&W da C/SO – 10’30” 8 minifilm di paulincic + blazerovic + dragic + ilic ecc.
1970 – IRREGULAR STORIES – a.dargay – hun – 16/C/SO – 8’45”
1970 – IL SIG. ROSSI AL CAMPING – b.bozzetto – ita – 35 e 16/C/SO – 1O’
1970 – LA LINEA – o.cavandoli – ita – 16/B&W/SO – 5′
1970 – MATRIX – j.whitney – usa – 16/C/SO 6′
1971 – IL SIG.ROSSI AL SAFARI FOTOGRAFICO – b.bozzetto – ita – 16/C/SO – 12′
1971 – SOTTACETI – b.bozzetto – ita – 16/C/SO – 11′
1971 – KAMASUTRA RIDES AGAIN – b.godfrey – gb – S8/C/SM – 9’30”
1972 – PULCINELLA – gianini&luzzati – ita – S8/C/SM – 12′
1972 – LA LINEA N.6 – o.cavandoli – ita – 16/C/SO – 5′
1973 – OPERA – manuli&bozzetto – ita – 16/C/SO – 11′
1973 – LA PLANETE SAUVAGE – toport&laloux – fra/cs – S8/C/SM/ED.INGH. – 67′
1974 – EXCUSE ME PLEASE – l.benes – cs – 16/C/SO – 5’30”
1974 – SELF SERVICE – b.bozzetto – ita – 16/C/SO – 1O’
1974 – IL SIG.ROSSI A VENEZIA – b.bozzetto – ita – 16/C/SO – 1O’
1974 – GLI SPORT DEL SIG.ROSSI – g.manuli – ita – 16/C/SO – 2O’
1974 – LAUTREC – g.dunbar – gb – 16/C/SO – 5′ reddish
1976 – LA PISCINA – b.bozzetto – ita – 16/C/SO – 6’3O”
1976 – CUBITS – a.jarnow – usa – 16/C/SO – 3’3O”
1977 – LA LINEA 1O1/1O2/1O3/1O4/1O5 – o.cavandoli – ita – 16/C/SO – 4′ cadauno
1978 – L’INCUBO – atlasuforobots – jap – S8/C/SM/ED.ITA – 15′
1978 – CPT.HARLOCK & CO – ? – S8/C/SM/ED.ITA. – 3 episodi di 5′ l’uno
1978 – BABY STORY – b.bozzetto – ita 16/C/SO – 1O’
1978 – LE VACANZE DEL SIG.ROSSI – b.bozzetto – ita – 16/C/SO – 8O’
1979 – INSTANT SEX – b.godfrey – gb – S8/C/SM – 6’15”
1979? – LA MATITA MAGICA – j.image – fra – 16/C/SO/ED.ITA – 10’38” promo sulla lavorazione di Les fabuleuses aventures du Baron de M¸nchhausen
1980 – LILLUPUT – b.bozzetto – ita/sv – 16/C/SO – di tredici otto episodi: LA COCCINELLA/LA LIBELLULA/IL BRUCO LA TERMITE/LA CHIOCCIOLA/LA FORMICA/IL GRILLO/L’APE – 7′ cad.
1980 – L’ANIMA DELLE COSE – l.canovi – ita – S8/C/SM – 3′
1980 – ENJOY – cursel/querin/gardner/harrison/chiggio – ita – S8/C/SM – 5′
1980 – PARTICLES IN SPACE – l.lye – nz – 16/B&W/SO – 3’3O”
1981 – BIO WOMAN – b.godfrey – gb – S8/C/SM – 10’32”
1981 – PIXNOCCHIO – g.laganý – ita – 16/C/SO – 4’30”
1982 – THE SNOWMAN – d.jackson – gb – S8/C/SM – 28’34”
1984 – MOONAGE DAYDREAM – b.white – usa – 16/C/SO – 7′
1992 – sigla: LE GIORNATE DEL CINEMA MUTO – c.montanaro/hagefilm – ita – 16/C/SO – 30″ n.b.: m.m.= mickey mouse/s.s.= sylly symphonies/d.d.= donald duck/b.b.= betty boop/t&j= tom and jerry/ pop=popaye/ecc.ecc.

LEGENDA
* I FORMATI : ST8= standard 8 / S8= super8 / 9‡= nove e mezzo / 16= sedici millimetri / 35= trentacinque millimetri * B&W= bianco e nero / C= colore / N= rapporto normale,1:1,33 / SP= rapporto panoramico, da 1:1,66 a 1:1,85 / SC= cinemascope o sistemi analoghi anamorfizzati / M= muto / MS= muto postsonorizzato/ SO= sonoro ottico / SM= sonoro magnetico / SEPMAG= magnetico separato.
* QUANDO NON VI SONO ULTERIORI SEGNALAZIONI LA COPIA E’ NELLA VERSIONE (ED.) ORIGINALE (ORI.)/ DID.= didascalie o sottotitoli: ITA.= italiano / INGH= inglese / FRA= francese / GER= tedesco /SPA= spagnolo * ED.LATINA è versione proveniente da spagna o sudamerica.
* LA NAZIONALITA’ : fra =francia / usa= stati uniti d’america / ita= italia / ger= germania / sv= svezia / urss= unione sovietica /spa= spagna / mex= messico / gb= gran bretagna / ol= olanda/ nz= nuova zelanda, ecc.
* CON TR si segnala l’esistenza della traduzione italiana dei “cartoni” o didascalie esplicative in uso nel cinema muto.
* LA DURATA in minuti, quando À doppia, si riferisce alla presunta velocità del cinema muto (16/18 fotogrammi al secondo, per gli inizi) e alla cadenza codificata del cinema sonoro (24 fotogrammi al secondo): la prima è ovviamente la piòlunga.
* ABBREVIAZIONI EVENTUALI : selez. sta per selezione (film mancante di alcune sequenze) / framm. per frammento (unico spezzone rimasto o ritrovato) / cond. per condensato: edizione riassunta dell’opera.
* DEPOSITO (d.) significa o una copia molto avariata visibile solo alla moviola, o una copia affidata all’archivio da amici o conoscenti segnalati in sigla.
* PAROLE IN CHIAVE : sink= opera nata da sincronizzazione tra suono e immagine con tecnologie diverse (anche cilindro o disco) / hand color (h.c.)= film colorato a mano / pochoir= sistema prima manuale e poi meccanico di trasporto di colore per matrici / imbibizione= pellicola colorata uniformemente / viraggio= colorazione per riduzione chimica dell’argento / technicolor bipack= sistema americano di colore a due matrici / technicolor tripack= sistema americano di colore a tre matrici / gasparcolor, dufaycolor, cinemacolor, ferraniacolor= sistemi di colore chimico con processi diversi / kodachrome 16= sistema di colore invertibile a passoridotto (ma esiste anche per il passo normale) / reddish: copia a colori uniformemente “magenta”, degradata dal tempo/ppc= tratta da copie su carta della PAPERPRINT COLLECTION della Library of Congress di Washington.
* VARI SIMBOLI (*, $, [, @, ^…) piò volte replicati indicano l’appartenenza delle opere in oggetto a bobine antologiche, non necessariamente omogenee nel contenuto.
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