Legenda

—– – FROM MAGIC LANTERN TO TODAY – ? – usa 1962 – 16/B&W/SO – 25′ 22″.
1891 – LA VAGUE – j.e.marey – fra – 16/B&W/M – 1′
—– – NAISSANCE DU CINEMA (I partie) – r.leenhardt – fra 1947 – S8/B&W/SM/ED.INGH (the toy that grew-up) – 17′ con estratti da AUTOUR D’UNE CABINE di e.reynaud (1894)
—– – THE ORIGIN OF THE MOTION PICTURE – usa – usa 195O – 16/B&W/SO- 20′ – con: indian club swinger (1891) + dickson’s violino (1893) + fred ott’s sneeze (1893) + material sulla marina usa (da paperprint) (1893/1896)
—– – JUST LIKE LIFE ITSELF – ? – usa 1925 – S8/B&W/M – 14′ (19′) con: gordon heindricks (1890, fonografo ottico) + dickson’s violino (1893) + the kiss (1896) + turkish dance (1896) + corbet and courtney before the kinetograph (1894) + vari esterni edison; e con -nƒ dal catalogo lumiÀre, 1895/1897- : l’arrivee del congressists a neuville-sur-saone (5) + arroseur et arrosee (99) + une partie d’eccartes (71) + sortie des ouvriers des uisines lumiere (91) + march» de poisson-marseille (135) + demolition d’un mur (40) + repas de bebe (88) + arrivee d’un trein a la gare de la ciotat (8) + charcuterie mecanique (107) + discussion (111) + vues militaires (?) + jueurs d’eccartes arrosees (115) + bonne d’enfants et soldat (103) + pr.:EDISON : president mckinley at washington DC (march 3 1897)
1893/O9 – EARLY MOTION PICTURE – pr.edison – usa – S8/B&W/M – 7′ (10′) con: dickson’s violino + corbet and courtney before the kinetographe + turkish dance + gordon heindriks + estratti di trickfilms (tra cui: stuart blackton: PRINCES NICOTINE,1909)
1893/O3 – EARLY MOTION PICTURE – pr.edison – usa – S8/B&W/M – 7′ (10′) con: fatima’s dance du ventre (1893) + washing the baby (1893)+ barber shop (1897) + feeding the cickens (1897) + capture of a roof bulgar (blackton:1898) + the burning stable (1897) + boy’s after school: tube race & leap frog (1901) + turning the tables (19O3)
1893/99 – FILMS OF 1890 – pr.edison e altri – 16/B&W/M – 7′ (1O’) con: chinese laundry (1894) + dickson’s violino (1893) + the kiss (1896) + feeding the doves (1897) + morning bath (1893) + the burning stable (1897) + the black diamond express n.1 + (1896) + new york street scenes (1896/98) + fatima’s dance du ventre, con e senza “censura” (1893) + bewards scoth wiskey (1897) + awringig good joke (1899)
1894 – AUTOUR D’UNE CABINE – e.reynaud – fra – 16/C/M – 3′
1895 – THE EXECUTION OF MARY QUEEN OF SCOTS – a.clark/edison – 16/B&W/M – 1′ – LUMIERE – p.paviot – fra 1953 – S8/B&W/SM – 4O’ con svariati estratti di inquadrature lumiÀre
1895/96 – MAX SKLADANOWSKY FILMS – ger – S8/B&W/M – 6′ (9′) con, 1895: komisches reck (flli.Milton) + der jongleur petras + das boxende kînguruh (mr.delaware al circo bush) + kamarinskaja (tanz der 3 tscherpanoffs) + akrobatisches potpourri (gymnastikerfamille grunato) + 1896: berlin-alexanderplatz + under den linden – ecke friedrichstrasse (von caf» baur aus) + 1- alarm bei der berliner feuerwehr (depot linder strasse) la II di 2 inq. 2- ausfahrt nach dem alarm la I di 2 inq. + einfahrt eines eisenbahnzuges berlin schñnholz (arrivo del treno) + die wachezieht auf – under den linden in berlin
1895/96 – LUMIERE FILMS – Louis, Auguste Lumière/promio ecc – fra – 16/B&W/M – 18′ (23′) con -n.ƒ dal catalogo Lumière-: sortie des ouvriers des uisines lumiere (91) + le repas de bebe (88) + demolition d’un mur (4O) + arroseur et arrose (99) + arrivee des congressistes a neuville-sur saone (5) + arrivee d’un trein ý la gare de la ciotat (8) + une partie d’eccartes (73) + barques sortant d’un port (la mer a la ciotat- 9 ) + arrivee d’un trein a perrache (127) + bassin des tuilleries (15O) + bains de diane – milan (277) + dragons (?) + course en sacs (1O9) + militari ungheresi (?) + struttgart 26ƒ dragoons: sauts d’obstacles (242) + cignes (21) + chaudiere (20)
1895/96 – LUMIERE: 8 FILMS – Louis, Auguste Lumière/promio ecc.- fra- 16/B&W/M – 5′ (7′) con: boxer en tonnaux (104) + lavandeuses sur la riviere (626) + charcuterie mecanique (107) + battaille de neige (101) + egypt panoramas des rives du nil (389) + concours de boules (27) + vues japonais: repas en famille (734) + squelette yojeuse (831)
1895/96 – LUMIERE FILMS – Louis, Auguste Lumière – fra – S8/B&W/M – 5′ (7′) con: sortie des ouvriers des uisines lumiÀre (91) + repas de bebe (88) + demolition d’un mur (40) + l’arroseur arrose (99) + l’arrivee des congressists a neuville-sur-saone (5) + l’arrivee d’un trein ý la gare de la ciotat (8) + une partie d’eccartes (73) + la mer a la ciotat (barques sortant d’un port- 9)
1896/02 – EDISON COLLECTION – pr.edison – usa – S8/B&W/M – 5′ (7′) con: the kiss (1896) + old main in a drawing room (1896) + street carchivary ( ) + altri
1896/02 – THE FILMS OF THE TURN OF THE CENTURY – vari – usa/fra/gb – S8/B&W/M – 10′ (13′) con : rought sea at dover- paul acress 1896 + a bul fight ( ) + street scenes in pekin ( ) + treins ( ) + a board in a gale- edison 1898 + kinetoscope dance ( ) + london news-reel – hepworth 1900/02 + the soldier and the maid ( ) + children in the nursery- paul
1896/1898 – ARRIVEE EN GONDOLE (291) – a.promio – fra – 16/B&W/M – 1′
1897 – A LA BAS COUR – normandine – fra – 16/C/M – 1′ hand-col 1897 – ANNABELLA DANCES – w.l.dickson – usa – 16/C/M – 1′ 30″ (2′) h-c/ppc
1898 – FEEDING THE PIGEONS IN FRONT OF ST.MARK’S CATHEDRAL – pr.edison – usa (ma copyright 1903) – 16/B&W/M – 1′ ppc
1898 – THE VANISHING LADY – s. blackton (dist.edison) – usa – 16/B&W/M – 1′ ppc
1898 – SKELETON DANCE MARIONETTES – pr.edison – usa – S8/B&W/M – 1′ ppc @@
1899 – L’ILLUSIONISTE FIN-DE-SIECLE – Georges Méliès – fra – 16/B&W/M e S8/B&W/M – 1’30”
1900 ca. – THE BIRTH OF THE NUDIES – ? – usa – S8/B&W/M – 7′ (1O’) con: a shinning inspiration + the dance of all veils + the call me crazy but I don’t care + the girl of the follies
1900 – L’HOMME ORCHESTRE – Georges Méliès – fra – 16/B&W/M – 2′
1900 – HOOLIGAN ASSIST THE MAGITIAN – s.blackton (dist.edison) – usa – 16/B&W/M – 1’5″ (1’30”) ppc
1901 – ANOTHER JOB FOR THE UNDERTAKER – pr.edison – usa – S8/B&W/M – 1′ ppc @@
1901 – FIRE! – j.w.williamson – gb – 16 e S8/B&W/M – 3′ 30″ (4′ 10″)
1901 – THE BIG SWALLOW – j.w.williamson – gb – 16/B&W/M – 2′
1901 – TRAPEZE DESROBING ACT – pr. edison – usa – 16/B&W/M – 1′ (1’25”) ppc
1902 – LITTLE TICH ET SES BIG BOOTS – f.mesguich – fra – 16/B&W/SO e S8/B&W/SM – 1’30” suono sincrono
1902 – SPECIAL CORONATION FILM – Georges Méliès – fra – 16/B&W/M – 3′ (4′) ppc copia + ppc
1902 – MT.PELE SMOCKING BEFORE THE ERUPTION – pr.edison – usa – 16/B&W/M – 50″ (1’3″) ppc, sta con
1902 – MT.PELE IN ERUPTION AND DESTRUCTION OF ST.PIERRE – pr.edison – – usa – 16/B&W/M – 1′ (1’25”) ppc
1902 – L’HOMME MOUCHE – Georges Méliès – fra – 16/C/M – 2′ (3′) hand-color
1902 – LE VOYAGE DANS LA LUNE – Georges Méliès – fra – S8/B&W/M – 9′ (12′) e 16/B&W/M – 9’13” (12’30”)
1902 – L’HOMME A LA TETE DE CAUTCHOU – Georges Méliès – fra – 16/B&W/M e S8/B&W/M – 2′ (3′)
1902 – DEATH OF CHRIST – pr.path» e ? – fra – S8/C/M – 9′ (12′) hand-color : “antologia”di quadri di diversa provenienza
1902 – AN AFFAIR OF ONOR – pr.AM&B – usa – 16/B&W/M – 1′ ppc
1902 – EVOLUTION OF A SPY – pr.AM&B – usa – S8/B&W/M – 1′ ppc @@
1902 – TEMPTATION OF ST.ANTHONY – pr.AM&B – usa – 16/B&W/M – 15″ (23″) ppc
1902 – ELECTROCUTING AN ELEPHANT – pr.edison – usa – S8/B&W/M – 1′ ppc @@
1902 – JACK AND THE BEANSTALK – e.s.porter – usa – 16/B&W/M – 6′ (9′) ppc
1902 – LE VOYAGE DANS LA LUNE – zecca&noguent – fra – S8/B&W/M e 16/C/M – 4′ 3O” (6′) hand-color
1902/05 – ANTOLOGIA PATHE’ – fra – S8/B&W/M/ ED.LATINA con: L’ALBUM MERVEILLEUX – 2’3O” + LES DRAPEAUX ANIMEE – 1′ + FANTASIE DE FLEUR – 2′ 30″ + TRANSFORMATION D’UN PAPILLON – 1′
1903 – L’AUBERGE DU BON REPOS – Georges Méliès – fra – 16/B&W/M – 3′ (5′)
1903 – AU CLAIR DE LA LUNE – Georges Méliès – fra – S8/B&W/M – 2′ ppc
1903 – LE MELOMANE – Georges Méliès – fra – S8/B&W/M e 16/B&W/M – 2′ (3′) ppc
1903 – LE MONSTRE – Georges Méliès – fra – S8/B&W/M – 3′ ppc @@
1903 – LA LANTERNE MAGIQUE – Georges Méliès – fra – 16/B&W/M – 4′ (5’30”) ppc
1903 – L’ENCHANTEUR ALCOSFRISBAS – Georges Méliès – fra – S8/B&W/M – 2’30” (4′) ppc
1903 – LE ROI DU MAQUILLAGE – Georges Méliès – fra – S8/B&W/M – 2′ (3′)
1903 – LE PUIT FANTASTIQUE – G. Méliès – fra – S8/B&W/M – 4′ (5’30”) ppc
1903 – LE TAUMATURGE CHINOIS – G. Méliès – fra – S8/B&W/M – 3′ (4′)
1903 – LE REVENANT – g.m»liÀs – fra – S8/B&W/M – 2′ (3′) ppc
1903 – AU ROYAUME DES FEES – G. Méliès – fra – S8/B&W/M – 11′ (14′)
1903 – EL GANSO DE LA NADIVIDAD – pr.path» – fra – S8/B&W/M/ED.LATINA – 2′ (3′)
1903 – DEMAGEMENT ARTISTIQUE – pr.gaumont – fra – S8/B&W/M/ED.LATINA – 2’3O” (3’30”)
1903 – ANIMATED PICTURE STUDIO – am&b – usa – 16/B&W/M -1’50” (2’15”) ppc
1903 – ANIMATED POSTER – edison – usa – 16/B&W/M – 1′ (1’23”) ppc
1903 – PHISICAL CULTURE GIRL – edison – usa – 16/B&W/M -1’50” (2’12”) ppc
1903 – THE CURSET MODEL – AM&B – usa – 16/B&W/M – 40″ (55″) ppc
1903 – PIJAMA GIRL – AM&B – usa – 16/B&W/M – 45″ (1′) ppc
1903 – A NIGHT AT THE HAYMARKET – AM&B – usa – 16/B&W/M – 4′ (5’20”) ppc
1903 – DISCOVERY OF THE BODY – pr.AM&B – usa – S8/B&W/M – 1′ @@
1903 – UNCLE’S TOM CABIN – e.s.porter – usa – 16/B&W/M – 14’30” (22′) ppc
1903 – THE LIFE OF AN AMERICAN FIREMAN – e.s.porter – usa – 16/B&W/M – 4′ (5’30”) ppc (vedi 1905)
1903 – THE GREAT TRAIN ROBBERY – e.s.porter – usa – S8/B&W/M e 16/C/M – 9′ (12′) hand-color
1904 – äVäNEMENTS RUSSO-JAPONAIS (La guerre russo-japonaise) – l.noguent – fra – S8/B&W/M/ED.LATINA – 9′ (12′)
1904 – MONDAINE AU BAIN – pr.pathÀ – fra – 16/B&W/M – 1′ (1’30”)
1904 – UN BON CIGARE – pr.path» – fra – S8/B&W/M/ED.LATINA – 2′ $$
1904 – BEHIND THE SCREEN – am&b – usa – 16/B&W/M – 30″ (47″) ppc
1904 – THE GREAT TRAIN ROBBERY – pr.lubin – usa – 16/B&W/M – 6′ (9′)
1904 – RAILROAD SMASHUT – e.s.porter – usa – S8/B&W/M – 4′ (5’30”)
1904 – A BUSY DAY FOR THE CORSET MODELS – AM&B – usa – 16/B&W/M – 40″(55″) ppc
1904 – FROM SHOW GIRL TO BURLESQUE QUEEN – AM&B – usa – 16/B&W/M – 40″ (55″) ppc
1904 – A FIRE IN A BURLESQUE THEATER – AM&B – usa – 16/B&W/M – 30″ (40″) ppc
1904 – TROUBLES OF A MANAGER OF A BURLESQUE SHOW – AM&B – usa – 16/B&W/M – 1’10” (1’40”) ppc
1904 – ANIMATED PAINTING – pr.edison – usa – 16/B&W/M – 3′ (4′) ppc
1904 – LE BOURREAU TURC – G. Méliès – fra – S8/B&W/M – 2’30” (4′) ppc
1904 – SORCIELLERIE CULINAIRE – G. Méliès – fra – 16/B&W/M – 4′(5’30”) ppc
1904 – LA DAMNATION DU DOCTEUR FAUST – G. Méliès – fra – S8/B&W/M – 4′ (5′ 30″) frammento: ppc
1904 – UN PRETE POUR UN RENDU – G. Méliès – fra – 16/B&W/M – 3′ (4′) ppc
1904 – LE MERVEILLEUX EVANTAIL VIVENT – G. Méliès – fra – S8 e 16/B&W/M – 3′ (4′)
1904 – VOYGE A TRAVERS L’IMPOSSSIBLE – G. Méliès – fra – 16/C/M – 13’40” (17’30”) h.c.
1905 – D’OU VIENT’IL ? – f.zecca – fra – 16/B&W/M – 1’20” (1’50”) $
1904 – L’AUBERGE MISTERIEUSE – pr.path» – fra – S8/B&W/M – 3′ (4′)
1905? – MACKING LOVE TO THE COALMAN’S WIFE – pr.path» – fra – 16/B&W/M/ED.INGH – 2′ (2’40”)
1905 – L’HOTEL ENCHANTE – pr.path» – fra – S8/B&W/M – 2’30” (3’30”)
1905 – LA PHENIX OU LE COFRET DE CRISTAL – g.m»liÀs – fra – 16/B&W/M – 3′ (4’30”) fram.
1905 – LE PALAIS DE MILLE ET UNE NUIT – G. Méliès – fra – S8/B&W/M – 22’30”
1905 – LE RAID PARIS-MONTECARLO EN DEUX HEURES – g.m»liÀs – fra – 16/B&W e C/M – 8′ 35″ (11′) hand color con testo inglese
1905 – LE DIABLE NOIR – G. Méliès – fra – 16/B&W/M – 2’40” (3’40”)
1905 – L’HONNEUR D’UN PERE – f.zecca – fra – 16/B&W/M – 4′ (5’30”) @
1905 – L’ALCOOL ENGENDRE LA TUBERCULOSE – zecca – fra – S8/B&W/M/ED.LATINA (Dramas del alcoolismo) – 5′ (6’30”) selezione
1905 – AU BAGNE – f.zecca – fra – 16/B&W/M/ED.INGH – 8′ (10′) @
1905 – LA RIVOLUTION EN RUSSIE (les »v»nements d’Odessa) – zecca&noguent – fra – 16/B&W/M – 4′ (5’30”)
1905 – LA MANIA DEL VALERO – pr.gaumont – fra – S8/B&W/M/ED.LATINA – 1’30” (2′ 30″)
1905 – LA ROUCHE MERVEILLEUSE – g.velle – fra – 16/B&W/M – 4′ (5’30”)
1905 – CHARLES PEACE – w.hoggart – gb – 16/B&W/M – 8’57” (12′)
1905 – AROUND NEW YORK IN FIFTEEN MINUTS – paley&stainer – usa – 25″ (33″) ppc
1905 – AIRY FAIRY LILLIAN TRIES ON HER NEW CORSETS – AM&B – usa – 16/B&W/M – 40″ (55″) ppc
1905(?) – THE LIFE OF AN AMERICAN FIREMAN – e.s.porter – usa – S8/B&W/M – 4′ (5’30”) edizione MONTATA
1905 – THE NIGHT BEFORE CHRISTMAS – usa – 16/B&W/M – 9′ (12′)
1905 – READING FOR THE DEATH SENTENCE – pr.AM&B – usa – S8/B&W/M – 1′ ppc @@
1905 – ROBBED OF HER ALL – pr.AM&B – usa – 16/B&W/M – 1′ (1’30”) ppc
1905 – AN EXECUTION HANGING – pr.AM&B – usa – S8/B&W/M – 1′ ppc @@
1905 – RESCUED BY ROVER – c.hepworth – gb – S8/B&W/M – 5′ (6’30”) fonte: usa + seconda copia simile ma diversa – S8/B&W/M – 3′ (4′) fonte: arg + terza copia simile ma diversa – 16/B&W/M – 5’30” (7′) fonte:ppc/usa
1906 – ERUPTION OF MON.VESUVIUS – AM&B – 16/B&W/M – 1’30” (1’50”) ppc
1906 – THE LIFE OF AN AMERICAN CAW BOY – e.s.porter – usa – S8/B&W/M – 11′ (14′)
1906 – THE DREAM OF A RAREBIT FIEND – e.s.porter – usa – S8/B&W/M E 16/C/M – 5′(6’30”) imbibizione
1906 – LE QUATRE CENTS FARCES DU DIABLE – G. Méliès – fra – S8/B&W/M – 9′ (12′)
1906 – LA FEE CARABOSSE – G. Méliès – fra – S8/B&W/M – 9′ (12′)
1906 – LE FILS DU DIABLE A PARIS – c.lepine – fra – S8/B&W/M – 11′ (16’30”)
1906 – ALLADIN OU LA LAMPE MERVEILLEUSE – a.cappellani – fra – 16/C/M/ED.INGH (Aladin’s lamp) – 8’52” (11′)
1906 – NOCE EN GOGUETTE – f.zecca – fra – 16/B&W/M – 8′ (10′) $
1906 – L’HOMME AIMANTEE – l.feuillade – fra – S8/B&W/M – 5′ (6’30”)
1906 – L’AUBERGE DU CRIME – pr.gaumont – fra – S8/B&W/M 5′ (6’30”)
1906 – LE THE CHEZ LA CONCIERGE – l.feuillade – fra – S8/B&W/M – 4′(5’30”)
1906 – LA POULE AUX OEUF D’OR – g.velle – fra – 16/C/M/ED.LATINA -18′ pochoir
1906 – LE THEATRE DE BOB – g.velle – fra – 16/B&W/M/ED.LATINA – 6′(9′)
1906 – VOYAGE AUTOUR D’UNE ETOILE – g.velle – fra – S8/B&W/M – 3′ (4′) frammento sta con
1906 – VIAGGIO INTORNO AD UNA STELLA – g.velle – ita – S8/B&W/M – 6′ (8′)
1906 – FARFALLE – pr.cines – ita – S8/C/M (butterfiles) – 6’30” (9′) hand-color
1906 – THAW-WHITE TRAGEDY – am&b – usa – 16/B&W/M – 40″ (50″) ppc
1906 – A DAY WITH THE GYPSIES – g.queribbet per c.hepworth – gb – 16/C/M – 7’03″(9’30”) viraggio
1907 – LA VIE E LA PASSIONS DE NOTRE SIGNEUR… – zecca&de chomon – fra – S8/B&W/M/ED.LATINA – 30′ (42′) con qualche quadro di altre edizioni! + S8/C/M/ED.INGH – 10′ (13′) estratto colorato hand + imb
1907 – LE COUCHER DE LA Mariée (tit.ingh.) – pr. Pathé frères – fra – S8/B&W/M/ED.INGH (the bride retire) – 2′ (2′ 3O”)
1907 – LA POUCE – pr.pathÀ – fra – S8/B&W/M/ED.INGH (the flea) – 2′ (2’30”)
1907 – LA LEGENDE DE PONCHINELLE – a.cappellani – fra – S8/B&W/M – 5′ (7′)
1907 – THE HOUNTED HOTEL – s.blackton – usa – S8/B&W/M e 16/B&WM – 5′ (6’30”)
1907 – THE “TEDDY BEARS” – e.s.porter – usa – 16/B&W/M – 11′ (15′)
1907 – BEN HUR – s.olcott – usa – 16 + S8/B&W/M – 8′ (10′)
1907 – LE SPECTRE ROUGE – s.de chomon – fra – S8/C/M + 16/C/MS/SO – 7′ (9′) pochoir
1907 – METEMPSYCOSE – s.de chomon – fra – S8/B&W/M – 2’40” (3’30”)
1907 – L’AIMANT DE LA LUNE – g.velle – fra – S8/B&W/M/ED.LATINA – 2’30″(3’40”)
1907 – LE PECHEUR DE PERLES – zecca/de chomon – fra – 16/C/MS/SO – pochoir
1907 – AMOUR D’ESCLAVE – a.cappellani – fra – S8/C/M/ED.INGH.(slave love) – 5′ (6’30”) pochoir
1907 – ECLIPSE DE SOLEIL EN PLEINE LUNE – G. Méliès – fra -16 e S8/B&W/M – 7′ (9’30”)
1907 – LE TUNNEL SOUS LA MANCHE – G. Méliès – fra – 16/B&W/ – 22′ (30′)
1907 – THE DIAMOND THIEVES – c.h.raymonds – gb – S8/B&W/M – 8′ (11′)
1907 – DUMB SAGACITY – pr.hepworth – gb – S8/B&W/M – 4′ (5’30”)
1907 – WHEN THE DEVIL DRIVE – pr.urban – gb – 16/B&W/M – 3′ (4′)
1908? – RICE COLTURE IN INDOCINE – Pathé Frères – fra – 16/B&W/M – ooo
1908 – MOSCOU SOUS LA NEIGE – Pathé Frères – fra – 16/B&W/M – ooo (moscou claud in snow)
1908 – LA MAISON ENSORCELäE – s.de chomon – fra – S8/B&W/M – 2’30” (3’40”)
1908 – LA MORT DU DUC DE GUISE – calmette&le bargy – fra – S8/B&W/MS – 19′ con musica originale + 16/B&W/M/ED.INGH. – 11’31” (14′)
1908 – JEAN D’ARC – cappellani – fra – S8/B&W/M/ED.LATINA – 6’30” (9)
1908 – CHEVAL EMBALLE – l.gasnier – fra – 16/B&W/M – 3’30” (4’40”) $
1908 – UNE DAME VRAIMENT BIEN – l.feuillade – fra – 16/B&W/M – 5′ (6’30”)
1908 – QUAND LE FEUILLES TOMBENT – pr. gaumont – fra – S8/B&W/M/ED.LATINA – 6′ (9′)
1908 – LES PETITS ARTISTES – pr.path» – fra – S8/B&W/M/ED.LATINA – 3′(4′)
1908 – UN COCHER HALLUCINä – f.zecca – fra – 16/B&W/M – 3′ (4′) framm
1908 – LA COURSE AUX POTIRONS – feuillade&bosetti – fra – 16/B&W/M – 7′ (9′)
1908 – CHIFFONIERS ET CARICATURISTES – s.de chomon – fra – S8/B&W/M (the ragpicker caricaturist) – 5′ (7′)
1908 – ELECTRIC HOTEL – s.de chomon – fra – 16/B&W/M – 9′ (a 24/fot)
1908 – VOYAGE ORIGINAL – s.de chomon – fra – S8/C/M/ED.ING. (a new way of traveling) – 3’30” (5′) pochoir
1908 – LA BONNE BERGERE ET LA MOUVAISE PRINCESSE – G. Méliès – fra -16/B&W/M – 9’50” (12′)
1908 – VOYAGE ACCIDENTE – ? – ita – S8/B&W/M/ED.LATINA – 2’30” (3’30”)
1908 – PRINCESS IN THE VASE – AM&B – usa – 16/B&W/M – 9’30” (13’20”) ppc
1908 – THE ACROBATIC FLY – p.smith – gb – 16/B&W/M – 3′ (4′)
1908 – THE THIEVING HAND – pr.vitagraph – usa – 16/B&W/MS a 18 – 3’15” (4’40”)
1908/09 – JIM LE GLISSEUR (?) – s.de chomon – 16/B&W/M – 7′ (10′) (slippery jim)
1909 – LE THEATRE ELECTRIQUE DE BOB – s.de chomon – fra – S8/C/M/ED.INGH. – 6′ (9′) pochoir
1909 – VOYAGE SUR JUPPITER – s.de chomon – fra – S8/C/M/ED.INGH (an astronomer dream) – 7′ (9’30”) pochoir
1909 – SCULPTEUR MODERNE – s.de chomon – fra – 16/C/M – 5′ (6’30”) pochoir
1909 – LA MOMIE EGYPTIENNE – pr.path» – fra – S8/B&W/M/ED.LATINA – 3’40” (4’30”)
1909 – EL PAN DE LOS POBRES – pr.path» – fra – S8/B&W/M/ED.ITALIANA – 5′ (6’30”)
1909 – LES DEBUTS D’UN HOMME-SANDWICH – pr.path» – fra – S8/B&W/M/ED.LATINA – 4’15” (5’40”)
1909 – BEBE DELATEUR – l.feuillade – fra – S8/B&W/M – 9′ (12′)
1909 – CLAIR DE LUNE ESPAGNOL – e.cohl – fra – S8 e 16/B&W/M/ED.INGH – 3’30” (4’30”)
1909 – LES ILLUSIONS FANTAISISTES – G. Méliès – fra – 16/C/M – 5′ (6’30”) hand-color
1909 – PIANOFORTE SILENZIOSO – l.maggi – ita – S8/B&W/M/ED.LATINA – 7′ (9′)
1909 – CRETINETTI CHE BELLO – a.deed – ita – 16/B&W/M – 3′ (4′)
1909 – NERONE – l.maggi – ita – 16/C/M/ED.INGH -11’45” (15’30”) imbibizione
1909 – RESCUED FROM EAGLE’S NEST – e.s.porter – usa – 16/B&W/M – 4′ 12″ (5’30”)
1909 – THE LONELY VILLA – d.w.griffith – usa – 16/B&W/MS e S8/B&W/M – 7′ (9′) ppc
1909 – THOSE AWFULL HATS – d.w.griffith – usa – 16/B&W/MS/SO a 18/ft-sec – 3’20”
1909 – THE FORGOTTEN WATCH – pr.vitagraph – usa – 16/B&W/M – 4′ (5’20”)
1909 – PRINCES NICOTINE – s.blackton – usa – 16/B&W/M – 5′ (6’30”)
191? – UN DRAME AU FAR WEST (?) – G. Méliès – usa – S8/B&/M – 3′ (4′)
1910 – LE FESTIN DE BALTHAZAR – l.feuillade – fra -S8/B&W/M/ED.LATINA – 1O’ (13′)
1910 – ANNE DE BOYLEN – c.de morlhon – fra – S8/C/M/ED.INGH – 10′ (13′) pochoir
1910 – COCO-NUT TREE PLANTATION IN SINGAPORE – pr.path» – fra – S8/C/M – 5′ (6’30”) pochoir
1910? – BRIGHTON – pathÀ – fra – 16/C/M – ooo pochoir
1910? – SHOPHIRE ? – pathÀ – fra – 16/C/M – ooo pochoir
1910 – MAX FAIT DU CINEMA – m.linder – fra – S8/B&W/M – 3′ (4’30”)
1910 – LE DRESSOIR ANTROPHOPHAGUE – pr.gaumont – fra – S8/B&W/M/ED. LATINA – 3′ (4’30”)
1910 – UN LOCATAIRE DIABOLIQUE – G. Méliès – fra – S8/C/M – 5′(6’30”) hand color reddish
1910 – HIDROTERAPIE FANTASTIQUE – G. Méliès – fra – S8/B&W/M – 7′ (9′)
1910 – L’äPäE DU SPIRITE – s.de chomon – fra – 16/B&W/M/ED.LAT. (nicolas el tonto) – 6′ (9′)
1910 – CRETINETTI NELLA GABBIA DEI LEONI – a.deed – ita – S8/B&W/M/ED.LATINA – 5′ (6’30”)
1910 – CRETINETTI VOLONTARIO DELLA CROCE ROSSA – a.deed – ita – S8/B&W/M/ED.LATINA – 5′ (6’30”)
1910 – COLA DI RIENZI – pr.cines – 16/B&W/M – 10′ 30″ (14′)
1910? – AUNTIE’S AFFINITY? – b.o’neil – usa – 16/B&W/M – 9’12” (12′)
1911 – MAX VICTIME DU QUINEQUINE – m.linder – fra – ST8/B&W/M – 15′(20″)
1911 – LES HALLUCINATION DU BARON MUNCHAUSEN – G. Méliès – fra – S8/B&W/M/ED.INGH – 103 (13′)
1911 – EL PODER DEL DIABLO – pr.bioskop – ger – S8/B&W/M/ED.LATINA – 4′ (6′)
1911 – C’ERANO UNA VOLTA DUE LADRI -pr.ambrosio – ita – S8/B&W/M/ED.LATINA – 3′ (4′)
1911 – L’ULTIMA MONELLERIA DI CRETINETTI – a.deed – ita – 16/B&W/M/ED.INGH – 6′ 30″ (8′)
1911 – TONTOLINI FINTO AMERICANO – f.guillaume – ita – 16/B&W/M/ED.INGH – 6′ (9′)
1911 – UN SIGARO AVANA – pr.itala – ita – S8/B&W/M/ED.LATINA – 2′(3′) $$
1911 – EL SEGRETO DEL MULINO – pr. eclair – fra – S8/B&W/M/ED.LATINA – 8′ (11′)
1911 – PADRE – superv. pastrone – ita – S8/B&W/M/ED.LATINA – 4′ (5′) frammento
1911 – LA CADUTA DI TROIA – g.pastrone – ita – 16/B&W/M/ED.INGH – 19′(26′)
1911 – L’ODISSEA – bartolini&pavan – ita – 16/B&W/M/ED.INGH – 1O’ (13′) À solo il Iƒ rullo
1911(?) – SURPRENDIDOS (?) – pr.latium film – ita ? – S8/B&W/M/ED.LATINA – 3’20” (4’40”)
1911 – THE LONEDALE OPERATOR – d.w.griffith – usa – S8/B&W/M – 12′(16′)
1912 – NOBLEMAN’S DOG – pr.path» – fra – S8/C/M/ED.INGH – 6′ (9′) pochoir
1912 – ONESIME ORLOGER – j.durand – fra – 16/B&W/M – 7′ (9’30”)
1912 – A LA CONQUETE DU POLO – G. Méliès – fra – 16/B&W/M – 12′(15′) + 16/C/M – 10′(14’40”) imbibizione
1912? – FINE FEATHERS? – l.weber? – usa – 16/C/M – 11′ (14′)
1912 – THE CHARGE OF THE LIGHT BRIGADE – pr.edison – S8/B&W/M – 1O’ (13′)
1912 – A ROMANCE OF THE ICEFILDS – pr.edison – usa – S8/B&W/M – TR – 9′ (12′)
1912 – THE UNSEEN ENNEMY – d.w.griffith – usa – 16/B&W/M – 11′ (14′)
1912 – THE TRANSFORMATION OF MIKE – d.w.griffith – usa – 16/B&W/M – 23′ (31′) girato + montaggio effettivo
1912 – THE PAINTED LADY – d.w.griffith – usa – S8/B&W/M – TR – 1O’ (13′)
1912 – SO NEAR YET SO FAR – d.w.griffith – usa – S8/B&W/M – TR – 1O'(13′)
1912 – THE MUSQUETERS OF THE PIG ALLEY – d.w.griffith – usa – 16/B&W/MS e S8/B&W/M – 1O’ (13′)
1912 – GODDESS OF SAGEBRUSH GULC – d.w.griffith – usa – S8/B&W/M – 11’20” (15′)
1912 – POLYDOR HA RUBATO L’OCA – f.guillaume – ita – 16/B&W/M/ED.INGH – 4′ (5’30”)
1912 – LA VITTORIOSA BATTAGLIA PER LA CONQUISTA DEL MEGREB IN AFRICA – l.comerio – ita – 16/B&W/M – 2′ (3′)
1913 – THE BATTLE OF ELDERSBUSH GULCH – d.w.griffith – usa – S8/B&W/M – 20′ (27′)
1913 – MAX JONGLEUR POUR AMOUR – m.linder – fra -16/B&W e C/M/DID.INGH. e GER – 4′ (5′ 30″) pochoir
1913 – FANTOMAS CONTRE JOUVE (2° episodio) – l.feuillade – fra – S8/B&W/M/ED.INGH – TR – 45′ (60′)
1913 – LEGAL ADVICE – t.mix – usa – S8/B&W/M – 1O’ (13′)
1913 – NURSERY FAVORITES – pr.edison – usa – 16 e S8/B&W/SM – 6′ sink
1913 – GIPSY WARNING – Gaston Méliès – usa – S8/B&W/M – 11′ (15′)
1913 – DER STUDENT VON PRAG – s.rye – ger – S8/B&W/M – TR – 6O’ (80′)

 
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